Hilariously cast as the most boring person in this movie, Blanchett nonetheless exudes a quiet anxiety, offering pangs for every passive aggression from Krieps' provocateur. Then Rampling adds a primly prickly veneer that's sharply funny. For instance, when all three realize they're wearing red (a tailored dress, a modest turtleneck, a frayed novelty sweater), the mother declares it "embarrassing," pushing her daughters into opinions that throw them into cringeworthy opposition.
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Leon’s old scars will have to wait, anyway. Requiem’s new blood is FBI analyst Grace Ashcroft. Equal parts tenacious and nervous, she’s a fitting lens on the horror portion of Requiem’s split focus between disempowered terror and cathartic action. The story opens with Grace – more acquainted with desk work than field ops – tasked to go over a crime scene at a gutted hotel. She knows the place well, since it holds some horrific memories for her. Still, she heads off with little more than a flashlight and a pistol you’ll never find quite enough ammunition for to feel safe.
"Things are changing," he says.